{"id":167,"date":"2018-08-20T01:59:28","date_gmt":"2018-08-19T23:59:28","guid":{"rendered":"http:\/\/50hz.club\/pierrepierrepierre\/?page_id=167"},"modified":"2018-08-20T01:59:28","modified_gmt":"2018-08-19T23:59:28","slug":"r-r-r","status":"publish","type":"page","link":"http:\/\/50hz.club\/pierrepierrepierre\/r-r-r\/","title":{"rendered":"R R R"},"content":{"rendered":"<p><strong>Rui Leal<\/strong> \/ Double Bass or Hurdy Gurdy<br \/>\n<strong>Pierre Pierre Pierre<\/strong> \/ Laptop, Supercollider<br \/>\n<em> In RRR Double-bass and synthetic sounds plays a hide and seek game. It&rsquo;s a sound processing technique that happens in the air and in the mixer. Basic but bi-directional!<\/em><\/p>\n<hr \/>\n<h3>ABOUT<\/h3>\n<p>Rui Leal, lives and works in Santo Tirso, north Portugal. As a musician he play double-bass and works also with electronics. He has been part of several projects and records from the Porto scene in collaboration Jonathan Uliel Saldanha, Gustavo Costa, the collective Soopa etc.<\/p>\n<p>Pierre Pierre Pierre, lives and works between Chalon-sur-Sa\u00f4ne, Nantes (Fr) and Porto (Portugal). As a musician he use old hi-fi material and hand-made synth or computer with the audio coding software SuperCollider. He has been part of the associations Mire and Cable# in Nantes, dedicated to experimental cinema and music.<br \/>\nHe played with Clinch (AV2), Marianne Moula (Prana Cotta), Omnisph\u00e8re (Ubino GT) etc&#8230;<\/p>\n<p><a href=\"http:\/\/50hz.club\/pierrepierrepierre\/wp-content\/uploads\/sites\/4\/2018\/11\/RRR-Encher-o-Quiosque.jpg\" rel=\"lightbox-0\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-265\" src=\"http:\/\/50hz.club\/pierrepierrepierre\/wp-content\/uploads\/sites\/4\/2018\/11\/RRR-Encher-o-Quiosque-1024x768.jpg\" alt=\"\" width=\"739\" height=\"554\" \/><\/a><\/p>\n<hr \/>\n<h3>Sounds<\/h3>\n<p>&#8211; &#8211; <strong>Live at La Cornuaille<\/strong> \/ Fr \/ 17.11.2018 (with electric bass) &#8211; &#8211;<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-167-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/50hz.club\/pierrepierrepierre\/wp-content\/uploads\/sites\/4\/2018\/11\/RRR_LaCornuaille_17_11_2018_part1.mp3?_=1\" \/><source type=\"audio\/ogg\" src=\"http:\/\/50hz.club\/pierrepierrepierre\/wp-content\/uploads\/sites\/4\/2018\/11\/RRR_LaCornuaille_17_11_2018_part1.ogg?_=1\" \/><a href=\"http:\/\/50hz.club\/pierrepierrepierre\/wp-content\/uploads\/sites\/4\/2018\/11\/RRR_LaCornuaille_17_11_2018_part1.mp3\">http:\/\/50hz.club\/pierrepierrepierre\/wp-content\/uploads\/sites\/4\/2018\/11\/RRR_LaCornuaille_17_11_2018_part1.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p>&#8211; &#8211; <strong>Live at NoNoise Fest #4<\/strong> \/ Sonoscopia \/ Porto \/ 04.08.2018 &#8211; &#8211;<\/p>\n<div class=\"wp-playlist wp-audio-playlist wp-playlist-light\">\n\t\t\t<div class=\"wp-playlist-current-item\"><\/div>\n\t\t<audio controls=\"controls\" preload=\"none\" width=\"717\"\n\t\t\t><\/audio>\n\t<div class=\"wp-playlist-next\"><\/div>\n\t<div class=\"wp-playlist-prev\"><\/div>\n\t<noscript>\n\t<ol>\n\t\t<li><a href='http:\/\/50hz.club\/pierrepierrepierre\/wp-content\/uploads\/sites\/4\/2018\/11\/RRR_NoNoise4_sample_1-1.ogg' rel=\"lightbox[gallery-0]\">NoNoise #4 - Sample track 1<\/a><\/li><li><a href='http:\/\/50hz.club\/pierrepierrepierre\/wp-content\/uploads\/sites\/4\/2018\/11\/RRR_NoNoise4_sample_2-1.ogg' rel=\"lightbox[gallery-0]\">NoNoise #4 - Sample track 2<\/a><\/li>\t<\/ol>\n\t<\/noscript>\n\t<script type=\"application\/json\" class=\"wp-playlist-script\">{\"type\":\"audio\",\"tracklist\":true,\"tracknumbers\":true,\"images\":true,\"artists\":true,\"tracks\":[{\"src\":\"http:\/\/50hz.club\/pierrepierrepierre\/wp-content\/uploads\/sites\/4\/2018\/11\/RRR_NoNoise4_sample_1-1.ogg\",\"type\":\"audio\/ogg\",\"title\":\"NoNoise #4 - Sample track 1\",\"caption\":\"\",\"description\":\"\",\"meta\":{\"length_formatted\":\"1:20\"},\"image\":{\"src\":\"http:\/\/50hz.club\/pierrepierrepierre\/wp-content\/uploads\/sites\/4\/2018\/11\/FossilizedTapes-1.jpg\",\"width\":1536,\"height\":2048},\"thumb\":{\"src\":\"http:\/\/50hz.club\/pierrepierrepierre\/wp-content\/uploads\/sites\/4\/2018\/11\/FossilizedTapes-1-150x150.jpg\",\"width\":150,\"height\":150}},{\"src\":\"http:\/\/50hz.club\/pierrepierrepierre\/wp-content\/uploads\/sites\/4\/2018\/11\/RRR_NoNoise4_sample_2-1.ogg\",\"type\":\"audio\/ogg\",\"title\":\"NoNoise #4 - Sample track 2\",\"caption\":\"\",\"description\":\"\",\"meta\":{\"length_formatted\":\"1:20\"},\"image\":{\"src\":\"http:\/\/50hz.club\/pierrepierrepierre\/wp-content\/uploads\/sites\/4\/2018\/11\/IMG_20181104_105214_m-1.jpg\",\"width\":1400,\"height\":1867},\"thumb\":{\"src\":\"http:\/\/50hz.club\/pierrepierrepierre\/wp-content\/uploads\/sites\/4\/2018\/11\/IMG_20181104_105214_m-1-150x150.jpg\",\"width\":150,\"height\":150}}]}<\/script>\n<\/div>\n\t\n<hr \/>\n<h3>Tour<\/h3>\n<figure id=\"attachment_270\" aria-describedby=\"caption-attachment-270\" style=\"width: 724px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/50hz.club\/pierrepierrepierre\/wp-content\/uploads\/sites\/4\/2018\/11\/FRRR-TOURRR-18-1.jpeg\" rel=\"lightbox-1\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-270 size-large\" src=\"http:\/\/50hz.club\/pierrepierrepierre\/wp-content\/uploads\/sites\/4\/2018\/11\/FRRR-TOURRR-18-1-724x1024.jpeg\" alt=\"\" width=\"724\" height=\"1024\" \/><\/a><figcaption id=\"caption-attachment-270\" class=\"wp-caption-text\">FRRR Tour \/ 2018<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Rui Leal \/ Double Bass or Hurdy Gurdy Pierre Pierre Pierre \/ Laptop, Supercollider In RRR Double-bass and synthetic sounds plays a hide and seek game. It&rsquo;s a sound processing technique that happens in the air and in the mixer. Basic but bi-directional! ABOUT Rui Leal, lives and works in Santo Tirso, north Portugal. As&hellip; <a class=\"more-link\" href=\"http:\/\/50hz.club\/pierrepierrepierre\/r-r-r\/\">Continue reading <span class=\"screen-reader-text\">R R R<\/span> <span class=\"meta-nav\" aria-hidden=\"true\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-167","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/50hz.club\/pierrepierrepierre\/wp-json\/wp\/v2\/pages\/167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/50hz.club\/pierrepierrepierre\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/50hz.club\/pierrepierrepierre\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/50hz.club\/pierrepierrepierre\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/50hz.club\/pierrepierrepierre\/wp-json\/wp\/v2\/comments?post=167"}],"version-history":[{"count":0,"href":"http:\/\/50hz.club\/pierrepierrepierre\/wp-json\/wp\/v2\/pages\/167\/revisions"}],"wp:attachment":[{"href":"http:\/\/50hz.club\/pierrepierrepierre\/wp-json\/wp\/v2\/media?parent=167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}